Category: fine arts

  • When stars were born – in my club

    When stars were born – in my club

    Posting about the time when stars like Falco frequented my studio.

  • Daoist Talk (I) Supplement

    Daoist Talk (I) Supplement

    Existence of the non-existence. The sound of one hand clapping. An afterword to Daoist talks (I)

  • More nonZENse

    More nonZENse

    Article about Daoism and Zen-Buddhism related to fine arts. Introduction of 2 paintings.

  • two book covers and one dragon

    two book covers and one dragon

    Introducing two cover designs and a new dargon painting.

  • new projects ahead

    new projects ahead

    Cover for a book: I was asked to create illustrations for a book of poetry and then also to design the cover. Here are some samples.

  • An old sketchbook ….

    An old sketchbook ….

    An old sketchbook bought in Paris 40+ years ago is finally put to good use. And some thoughts on that.

  • just two characters

    just two characters

    I uploaded a new video on youtube, it’s about my calligraphy. Well, in the broadest sense – from traditional to Asemic and painted calligraphy.

  • Too young to die – too old to rock’n roll + scam alert

    Too young to die – too old to rock’n roll + scam alert

    No, it’s not the title of my autobiography and no advertising for Jethro Tull. Much simplier.

  • Gold, History, Friends, Sinology and Luxury

    Gold, History, Friends, Sinology and Luxury

    An artist’s week in the most livable city in the world: Vienna. About artistic and cultural events.

  • only one picture this time….

    only one picture this time….

    solid gold: It’s not that I haven’t painted a lot lately, but I’m making slower progress than usual. Some of the work is almost finished and then, only small things are missing, I break off.

  • goodbye beijing, hello chongqing

    goodbye beijing, hello chongqing

    After the exhibition in Beijing had to be repeatedly postponed due to the pandemic, the organizer moved the exhibition to Chongqing, to the Hong Art Museum Chongqing.

  • dreamtellers

    dreamtellers

    The Surrealists really turned my world around. First was André Breton who opened the door to this world for me. Then came the painters like Max Ernst, Giorgio de Chirico etc.

  • how we (I) see

    how we (I) see

    Many years ago I read an article about viewing habits. A certain audience was asked the question (sort of): “Do you think we all see the same thing when we look at something?”

  • now and zen and later

    now and zen and later

    A few decades ago, the term Zen moment was quite unknown in the West. Today it has become a consumer item and similar to the pair of terms feng shui 風水, most people do not understand what it is actually about.

  • front page in Chinese newspaper again

    front page in Chinese newspaper again

    The 光明日报 guangming daily has published a quite detailed report about me, and that on the front page. Last year an article about me, with a focus on calligraphy, appeared in this important newspaper,

  • teaser for next exhibition

    teaser for next exhibition

    I’ve been needing a few short video clips for my work for a long time. With a little effort I was able to get something going myself, but then the result was too boring for me and I left this task to someone else.

  • etudes

    etudes

    Etudes: If one looks up the English-language equivalent of the French term études in conventional dictionaries, the result is generally “studies”. Only when you translate it from a music-theoretical point of view do you come up with “etudes”.

  • metaverse (V)

    metaverse (V)

    After my last post (metaverse IV) Schrödinger, his cat, you and I basically agreed that IS and NOT-IS can exist at the same time.

  • metaverse (IV)

    metaverse (IV)

    day & night and Schrödinger’s cat [1]   I am very pleased that my postings on this topic are so well received and thank you for the general interest!After this posting today, one more on this topic will follow, but it will be easier to understand. Today it gets a little more complicated. When I…

  • metaverse (III)

    metaverse (III)

    the beginning and the end Short preliminary remark If I just started with my thoughts, there would be a certain danger of someone shouting: “Hey, that’s not scientific!” Two preliminary remarks are therefore permitted. All our thinking is based on previously thought and mostly we deal with premises. Such as A $100 bill has a…

  • Metaverse Project Started (II)

    Metaverse Project Started (II)

    prologue and reflections   After my last 2 postings on Kabul and Pyongyang (in the broadest sense also a kind of metaverse 😊) I would like to come back to my personal metaverse today and in the following postings to come. In the first post on this topic metaverse, I presented initial attempts to devote…

  • My Ukraine contribution

    My Ukraine contribution

    The picture stands on its own and the title underscores the theme: ” Голубь мира над Киевом”. (Peace Dove over Kiev).

  • studies for oil paintings

    studies for oil paintings

    This week I did some studies on landscape, seascape and organic theme. 3 representative works are presented today.

  • state of the art 2022

    state of the art 2022

    As I posted in an earlier post, I used to paint a self-portrait every year and named the series “state of art”. This portrait is from 2022.

  • my kind of metaverse (I)

    my kind of metaverse (I)

    In February I started playing around with an idea, but I don’t know if it will become a series yet: It’s dedicated to the metaverse.

  • Flyer for my Beijing Exhibition

    Flyer for my Beijing Exhibition

    Flyer for my exhibition in Beijing this spring. Honoring 50 years of cultural exchange between Europe and China.

  • Cats in Chinese Painting

    Let’s play a little game again: Let’s imagine there is a competition with 3 cats at the start. The “best” cat should be chosen. Which would get your vote: 1, 2 or 3?

  • What a dot can do

    What a dot can do

    Reflections on a dot in traditional Chinese painting and calligraphy. About the meaning of the smallest part of a painting.

  • diffuse light

    diffuse light

    When I started thinking of light in fine arts again about who influenced me it was, Lyonel Feininger came to my mind.

  • snow and ice and corona

    snow and ice and corona

    As I mentioned in my last post, January and February are not my favorite months, especially when it comes to painting. But I try to use the time, make drafts, do some calligraphy, play with ideas and try to improve my painting technique.

  • watching the night

    watching the night

    About winter depressions. Since this topic has been with me for decades, I would like to present a few examples that have emerged over the years. A useful tool to cope with this is the artistic reflection on this topic.

  • new works in abstract surrealism

    new works in abstract surrealism

    When it comes to painting, I’m most creative in the evening and after-hours. I can turn off the day’s events and concentrate fully on painting. However, I have to be careful not to work too long. It often happens that I start with enthusiasm and vigor and fall in love with a job right from…

  • triptych variant

    triptych variant

    I presented a tryptich a few days ago. As is so often the case, the underlying idea has not been shelved for me and so I wanted to see how a variant could look like. So I created another work to replace one of the triptych.

  • waltzing corona

    waltzing corona

    My first painting this year is this triptych. I will take this as an opportunity to present my point of view, because if I can manage to explain the essential points clearly, you may look at Chinese art from a different perspective in the future.

  • New Year’s Pastime

    New Year’s Pastime

    In China, calligraphy is mainly written for the Chinese New Year, as far as calligraphy is still used. This year I wanted to start our New Year with calligraphy, with a poem by Tang Yin. He’s not my favorite calligrapher, nor my favorite poet, but his work is good if you haven’t practiced seriously in…

  • 20212022

    20212022

    The year 2021 is over and, like every year, I am taking stock. This time as a blog post.

  • about my surrealist work

    about my surrealist work

    When I started painting decades ago, the first few years were marked by surrealism. Mainly because I was more concerned with literature and I soon came across authors like André Breton or Paul Éluard, whose ideas fascinated and influenced me.

  • trying environment topic

    trying environment topic

    I made 2 versions on a topic that has been with me for a long time: 2 vanishing points. The easiest way to depict this idea is in a landscape painting and so I chose this construction.

  • new territories to explore

    new territories to explore

    I haven’t painted as much for a long time as I did this year and my vigor, joy and urge to improve is unbroken. Now we are in the 4th lockdown and I take it very calmly – more time to paint…. I deliberately took a short break from my Corona series. That prevents me…

  • corona and the sea

    corona and the sea

    Graphing the phenomenon Covid-19 is a difficult undertaking in several respects, whereby the most important questions for me are: How do I make the invisible visible? How do I create a predominantly abstract image in such a way that the underlying phenomenon can be recognized? But above all, how do I convey the areas of…

  • another one of those

    another one of those

    Today I would like to present a newer picture and originally I had no intention of writing about it, at least almost. Why this?

  • trying the big bang

    trying the big bang

    At the latest when I started to approach abstract painting, and that was only a year ago – so I’m still pretty much at the beginning – an idea stuck in my head. ….

  • girls – girls – girls

    girls – girls – girls

    There was a long period of time in which I painted a lot of portraits. I also painted men, a task that was generally easy for me. Men usually have very distinctive faces, especially older ones. Much more exciting, however, was always the topic of women, and especially girls.

  • remembering a landscape

    remembering a landscape

    whole, I am quite satisfied. However, they are not landscapes, as I often used to do in the past, that I painted in the wild, but rather a play around with ideas or set pieces.

  • simple painting with some ideas

    simple painting with some ideas

    I recently presented a few drafts and sketches, ideas that should flow into my next exhibition on the subject of Covid-19. They were largely abstract. I was very pleased with the feedback, as it helped me to reflect on the topic better. Thank you!

  • Out of the Blues into the Blue

    Out of the Blues into the Blue

    I’m still working on my exhibition on the subject of Covid-19 and have now started a few works that are not so abstract. Symbolism, archetypal elements and often stronger emphasis on the painterly are again in the foreground.

  • landscapes by the water and in the mountains

    landscapes by the water and in the mountains

    I consciously wanted to work on a boring landscape scene by the water. The first draft was too excited, too restless. In this second attempt I managed to capture a mood better. Actually, I wanted to convey more of the feeling that one has when an evening song or serenade is performed by the water…

  • Drafts for the Corona series and questions about them

    Drafts for the Corona series and questions about them

    For one of my exhibitions, which will be shown in Vienna next year, I chose the topic around covid-19. I think this is a subject that might be of some interest. We all suffered and still suffer from it in one form or another and so I thought that it might be of interest to…

  • early sketchbook with Chinese minority people

    early sketchbook with Chinese minority people

    Today I’m showing you a sketchbook that I’ve never taken out of the drawer. Maybe for a good reason? Actually, they are single sheets that I then mounted in a Chinese fan-fold album.

  • hacked 2 times in 1 day – scary story!

    hacked 2 times in 1 day – scary story!

    Lately I’ve started some work on clouds. The point is not to represent different cloud formations true to nature, but to give the clouds a meaning that goes beyond “being a cloud”. Poem by Berthold Brecht.

  • painting about a love poem

    painting about a love poem

    Lately I’ve started some work on clouds. The point is not to represent different cloud formations true to nature, but to give the clouds a meaning that goes beyond “being a cloud”. Poem by Berthold Brecht.

  • triptych theme and variations

    triptych theme and variations

    Music is undoubtedly one of the most important driving forces in my painting. This tryptic is based on theme and variations influenced by calssical music.

  • state of the art – a couple of self portraits

    state of the art – a couple of self portraits

    For many years I painted a self-portrait every year. I called the series “State of the Art”. Unfortunately I stopped because I didn’t want to be perceived as a narcissist.

  • better this time – I think

    better this time – I think

    After I decided yesterday to throw away a piece of work I painted the basic idea of that work in a completely different version and I’m relatively satisfied with the result.

  • it don’t come easy

    it don’t come easy

    When is a picture ready finished? I paint and paint and at some point a voice says: let go. It becomes more difficult when a painting does not “feel” finished.

  • trying landscapes again

    trying landscapes again

    I took a break from my calligraphy-oriented work and made 2 studies for landscape paintings, which from my point of view have some good aspects.

  • certificate of honor received

    certificate of honor received

    Yesterday I was given a certificate of honor for special achievements in the Austrian-Chinese relations.

  • calligraphy – painted

    calligraphy – painted

    Since I’m not Chinese, one might wonder why I attach so much importance to this aspect of art. There are essentially 3 reasons: I consider traditional Chinese calligraphy to be one of the most challenging and superior art forms.

  • power, elegance and savageness

    power, elegance and savageness

    I continue to paint a lot, but it’s getting harder and harder to surpass previous work. Maybe they look pretty much the same for some viewers anyway. For me, however, it is about certain issues that I would like to perfect over time.

  • gestural painting a step further

    gestural painting a step further

    The works from the series “gestural abstraction” now have content. No content in the sense that one is now figuratively led in a certain direction, but that psychological sensitivities or concepts from psychoanalysis are taken up.

  • short question on making video clips

    short question on making video clips

    gestural painting, subconsciousness and archetypes in my series of gestural abstract paintings

  • gestural painting, subconsciousness and archetypes

    gestural painting, subconsciousness and archetypes

    gestural painting, subconsciousness and archetypes in my series of gestural abstract paintings

  • article by me in the China Report

    article by me in the China Report

    The “China Report” # 179 is dedicated to the 50 years of diplomatic relations between Austria and China. As it is a special anniversary, the authors are particularly prominent in this issue. Austrian President van der Bellen, Chinese Prime Minister Li Keqiang, former Austrian and Chinese ambassadors, Federal Chancellor Kurz, to name just a few,…

  • almost thrown away

    almost thrown away

    I have a few binders of work that I originally wanted to throw away. The reason? I mostly work on series. These have to follow a certain concept or thought. If a work does not fit in, it will be sorted out.

  • The Essence of Chinese Painting (IX)

    The Essence of Chinese Painting Part 3. This artivcle is dealing with the structure in Chinese painting by using some examples.

  • if sharks were people

    if sharks were people

    Among other things, Berthold Brecht wrote short stories, the “Stories from Mr. Keuner” are particularly well known. I would like to present a story here. If the sharks were people.

  • burning down the snow

    burning down the snow

    There has long been a phrase in my ideas treasure chest: burning snow. I’m not sure if this is a creation from myself. Probably born out of my intellectual confrontation with Schubert’s “Winterreise”. It can just as well come from a poem or even a pop song.

  • white black red

    white black red

    As in most of my work ideas from Chinese painting and calligraphy flow into them. I would like to take this opportunity to point out a special aspect that is of essential importance for the understanding of East Asian art: the importance of the non-represented, the nothing, the white.

  • triptych finished

    triptych finished

    The title of this triptych is a mountain. In principle, it shows 3 mountain peaks that together form a mountain. Just like the Chinese character for mountain 3 represents mountain peaks.

  • nude drawing

    nude drawing

    Nude drawing is one of the most important pillars in a painter’s education. For me it has always been one of my weak points. These works are from the time I was at the academy and the time I started to enjoy life drawing.

  • abstract landscape painting

    abstract landscape painting

    Abstract landscape painting, ink on Yupo Paper

  • paint away pain

    paint away pain

    Abstract landscape painting, ink and pastels on hand made paper. With Schubert as a source of energy.

  • another couple of new works

    another couple of new works

    Last weekend was another very productive one. I am working on a couple of series and was able to finish some work which can be added now. Like these painting of withered flowers, landscape, stones and abstract composition.

  • a couple of new works

    a couple of new works

    Last weekend was very productive. I am very satisfied with some of the works and would therefore like to present them.

  • a step forward

    a step forward

    For decades I have painted figurative. Almost 2 years ago I started to develop myself into abstract painting. Even if I haven’t found a definitive style, I’m pretty happy with my progress like this rocks and stones painting.

  • Mu Qi. 6 Persimmons – an interpretation

    Mu Qi. 6 Persimmons – an interpretation

    6 Persimmons – an interpretation. Analyzing one of the most important Chinese paintings by the Zen monk Mu Qi

  • a couple of new works added

    a couple of new works added

    I have again created some works for the current series gestural painting. They are all in A3 format and in ink on paper. As in the previous works, they are shaped by ideas and principles from traditional Chinese calligraphy.

  • Easter Contribution

    Easter Contribution

    Painting and graphics related to politics and history. Albrech Dürer’s Christus am Kreuz overwritten with Mao Slogan.

  • Another Work after Huang Binhong – 黄宾虹

    Another Work after Huang Binhong – 黄宾虹

    Another painting after Huang Binhong. My painting and the original by Huang show the effort of capturing the spirit of the original.

  • Recent Work: Day 7/7 the last one

    Recent Work: Day 7/7 the last one

    Abstract painting of autumn in my garden. This is the final example with work for the past 2-3 weeks.

  • Recent Work: Day 6/7 new bookmarks

    Recent Work: Day 6/7 new bookmarks

    Some more bookmarks. There are still lots of dried blossoms and leaves from last spring and autumn and I could do quite a few more of these.

  • Recent Work: Day 5/7 Surrealism

    Recent Work: Day 5/7 Surrealism

    With painters like Max Ernst, the world of painting opened up for me. Now I have painted an homage to Max Ernst. “The Triumph of Surrealism” from 1937.

  • Recent Work: Day 4/7 gestural calligraphy

    Recent Work: Day 4/7 gestural calligraphy

    In the gestural calligraphy series, principles of traditional calligraphy are used to make random formations appear as if they were calligraphy.

  • Recent Work: Day 3/7 blossom and calligraphy

    Recent Work: Day 3/7 blossom and calligraphy

    Smaller painting with a single blossom and traditional Chinese calligraphy

  • Recent Work: Day 2/7 with explanation

    Recent Work: Day 2/7 with explanation

    Mao Zedong slogan on old, decorative Romanian invoice from 1932

  • Recent Work: Day 1/7

    Recent Work: Day 1/7

    Painted calligraphy by writing various poems by Tang Yin (唐寅 1470–1524) on top of each other.

  • A few rays of sunshine for your weekend

    A few rays of sunshine for your weekend

    After my old love for “The Blue Rider” flared up again and after a long beautiful walk through the Vienna Woods, this picture was then taken.

  • A simple picture and yet a treasure – ZHA Shibiao

    A simple picture and yet a treasure – ZHA Shibiao

    Small album sheet by the artist Zha Shibiao that looks very simple at first glance and only shows its charm and mastery when we take some time for a closer look and reflection.

  • copying old masters – 黄宾虹

    When copying Chinese paintings, one should grasp the spirit (qi 气) of the painting. The original on the left, my copies on the right.

  • New work – with an explanation

    New work – with an explanation

    Mao Poem on historical security which is designed in the finest Art Nouveau design. Overwritten with a Mao Zedong poem.