On Contrast, Atmosphere and Some Ink Pieces
After painting so much about Corona, I felt it was time to step back. By February 2022, I had enough work for the planned exhibition. A pause would give me a chance to look at the series again before deciding whether to continue.
While gathering my tributes to artists who have influenced me, I found myself thinking of Lyonel Feininger. I have not tried to paint in his style. Yet his work has long stood for something essential to me: light.
I had thought of him a few years earlier while visiting the Sagrada Família in Barcelona. The light inside brought his paintings to mind. To me, he understood that particular quality of church light: diffuse, mysterious, uplifting and comforting. Moon Shadow is my own response to that association.
In the recent Corona and snow studies, I had begun exploring winter light. After paintings of snow and frozen water, another viewpoint suggested itself: looking up at the light from beneath a sheet of ice.
In the works that followed, I wanted to find something of that filtered light. The smaller painting below moves toward a more diffuse, mysterious atmosphere. It uses few colours and little drama, while retaining a play of calligraphic forms.
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Light as State of Being · Homage to Painters Who Have Influenced Me · Snow and Ice and Corona
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