Category: Zettl landscape painting
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The Abundance of Modesty
Delving into Daoist philosophy and the pictographic wisdom of Chinese calligraphy, this article unpacks the ancient proverb that “Modesty Brings Abundance” (謙受益). Grounding this profound concept in personal experiences, the author reflects on how the humility of an “empty vessel” allows one to receive a true overflow of friendship, knowledge, and spiritual wealth.
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Cracks in the Silence
A deep dive into the La Gacilly-Baden Photo Festival under the theme ‘One Planet, Many Perspectives.’ This review journeys from the rituals of Papua New Guinea to the paradoxes of modern development, exploring powerful photography that confronts our world’s greatest challenges and finds a path to understanding, mindfulness, and ultimately, hope.
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Goodbye to the Winter
Explore the artist’s journey from winter’s darkness to spring’s light through abstract paintings. Learn how black paper challenges traditional Chinese painting concepts.
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Depression: A Journey Through the Long Winter.
Depression: A long winter is behind me. It felt endless, stretching on and on. While snowfall isn’t guaranteed every year, one thing I can count on is my winter depression. Let’s take a closer look at some works from this long winter.
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The Journey to the Zen Master
This article explores an imaginary journey to a Zen master, represented through a series of paintings. It delves into philosophical reflections on Zen, using a combination of western and eastern artistic techniques to illustrate the transition from the real world to a spiritual one. The journey begins at a busy train station and gradually leads…
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Between Calligraphy and Painting
Who Sows Calligraphy will Reap Paintings. Between Calligraphy and Painting: In order not to get too boring, this article will be the last one for some time in which calligraphy sets the tone. We have already heard quite a bit about this high-quality art form by now. A few more aspects will be addressed today…
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Wu Wei a Key Term. Daoist Talks (X)
Chinese Painting and Wu Wei. Wu Wei is a key concept in Daoism. It is an idea that originated in ancient Chinese philosophy and is of central importance to Daoism. However, the term is not always easy to understand, at least for Westerners. But understanding it can help us in many ways, not only in…
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day dream job
and some remarks. Day dream job: Little boys, especially those of preschool age, often aspire to become firefighters or police officers. However, I’m not sure about girls’ future career aspirations. I’m also not sure what my vision was as a 5-year-old. Probably a demolitionist, since my father was one at the time. When I came…
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Between Here and There
and the Fever-night-creeper between here and there: The topic of this post first came about in reflection on dreams and waking up. One could consider “Here” as the normal state and “There” as the dream world. When we awaken, we are still surrounded by fragments of dreams, and we are between “There” and “Here.” Where…
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environment and nature topic
From time to time I dedicate myself to the topic of the environment in my paintings. This is also the case in this picture, which addresses the topic of environmental destruction in a special way.
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Getting rid of the Blues…..
Since my work is very much influenced by ideas from Chinese calligraphy, I wanted to try again to approach things in a more “western” way.
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Because it’s Wednesday again…
This and That and Everything: I’ve started 2 new series, one spilling over into the other.
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New Works for Old Series
A series that is particularly close to my heart is gestural expression. However, my progress in doing so is heavily dependent on how busy I am with calligraphy.
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The Dreamweaver’s daughters cast their nets
The Dreamweaver’s daughters cast their nets and the Wolf hour are my last works on the dream cycle.
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three strikes
Three strikes: Today I would like to present 3 newer works and will not write much about them. The first is a play on Zen thought. In the sense of what was said above, it remains without further explanations.
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only one picture this time….
solid gold: It’s not that I haven’t painted a lot lately, but I’m making slower progress than usual. Some of the work is almost finished and then, only small things are missing, I break off.
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goodbye beijing, hello chongqing
After the exhibition in Beijing had to be repeatedly postponed due to the pandemic, the organizer moved the exhibition to Chongqing, to the Hong Art Museum Chongqing.
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now and zen and later
A few decades ago, the term Zen moment was quite unknown in the West. Today it has become a consumer item and similar to the pair of terms feng shui 風水, most people do not understand what it is actually about.
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studies for oil paintings
This week I did some studies on landscape, seascape and organic theme. 3 representative works are presented today.
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snow and ice and corona
As I mentioned in my last post, January and February are not my favorite months, especially when it comes to painting. But I try to use the time, make drafts, do some calligraphy, play with ideas and try to improve my painting technique.
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trying environment topic
I made 2 versions on a topic that has been with me for a long time: 2 vanishing points. The easiest way to depict this idea is in a landscape painting and so I chose this construction.
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new territories to explore
I haven’t painted as much for a long time as I did this year and my vigor, joy and urge to improve is unbroken. Now we are in the 4th lockdown and I take it very calmly – more time to paint…. I deliberately took a short break from my Corona series. That prevents me…
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corona and the sea
Graphing the phenomenon Covid-19 is a difficult undertaking in several respects, whereby the most important questions for me are: How do I make the invisible visible? How do I create a predominantly abstract image in such a way that the underlying phenomenon can be recognized? But above all, how do I convey the areas of…
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another one of those
Today I would like to present a newer picture and originally I had no intention of writing about it, at least almost. Why this?
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trying the big bang
At the latest when I started to approach abstract painting, and that was only a year ago – so I’m still pretty much at the beginning – an idea stuck in my head. ….
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remembering a landscape
whole, I am quite satisfied. However, they are not landscapes, as I often used to do in the past, that I painted in the wild, but rather a play around with ideas or set pieces.
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simple painting with some ideas
I recently presented a few drafts and sketches, ideas that should flow into my next exhibition on the subject of Covid-19. They were largely abstract. I was very pleased with the feedback, as it helped me to reflect on the topic better. Thank you!
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Out of the Blues into the Blue
I’m still working on my exhibition on the subject of Covid-19 and have now started a few works that are not so abstract. Symbolism, archetypal elements and often stronger emphasis on the painterly are again in the foreground.
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landscapes by the water and in the mountains
I consciously wanted to work on a boring landscape scene by the water. The first draft was too excited, too restless. In this second attempt I managed to capture a mood better. Actually, I wanted to convey more of the feeling that one has when an evening song or serenade is performed by the water…
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Drafts for the Corona series and questions about them
For one of my exhibitions, which will be shown in Vienna next year, I chose the topic around covid-19. I think this is a subject that might be of some interest. We all suffered and still suffer from it in one form or another and so I thought that it might be of interest to…
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hacked 2 times in 1 day – scary story!
Lately I’ve started some work on clouds. The point is not to represent different cloud formations true to nature, but to give the clouds a meaning that goes beyond “being a cloud”. Poem by Berthold Brecht.
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painting about a love poem
Lately I’ve started some work on clouds. The point is not to represent different cloud formations true to nature, but to give the clouds a meaning that goes beyond “being a cloud”. Poem by Berthold Brecht.
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better this time – I think
After I decided yesterday to throw away a piece of work I painted the basic idea of that work in a completely different version and I’m relatively satisfied with the result.
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it don’t come easy
When is a picture ready finished? I paint and paint and at some point a voice says: let go. It becomes more difficult when a painting does not “feel” finished.
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trying landscapes again
I took a break from my calligraphy-oriented work and made 2 studies for landscape paintings, which from my point of view have some good aspects.
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triptych finished
The title of this triptych is a mountain. In principle, it shows 3 mountain peaks that together form a mountain. Just like the Chinese character for mountain 3 represents mountain peaks.
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abstract landscape painting
Abstract landscape painting, ink on Yupo Paper
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paint away pain
Abstract landscape painting, ink and pastels on hand made paper. With Schubert as a source of energy.
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a step forward
For decades I have painted figurative. Almost 2 years ago I started to develop myself into abstract painting. Even if I haven’t found a definitive style, I’m pretty happy with my progress like this rocks and stones painting.
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Another Work after Huang Binhong – 黄宾虹
Another painting after Huang Binhong. My painting and the original by Huang show the effort of capturing the spirit of the original.
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A few rays of sunshine for your weekend
After my old love for “The Blue Rider” flared up again and after a long beautiful walk through the Vienna Woods, this picture was then taken.
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A simple picture and yet a treasure – ZHA Shibiao
Small album sheet by the artist Zha Shibiao that looks very simple at first glance and only shows its charm and mastery when we take some time for a closer look and reflection.
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copying old masters – 黄宾虹
When copying Chinese paintings, one should grasp the spirit (qi 气) of the painting. The original on the left, my copies on the right.
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The Essence of Chinese Painting (III)
In “The Essence of Chinese Painting (III),” the focus is on the four phases that define the structure in Chinese painting, as elucidated by the renowned artist and theorist Pan Tianshou.
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After visting a great Gerhard Richter Exhibition in Wien
A small graphic as hommage to Gerhard Richter and Hideaki Yamanobe after visiting a very impressive exhibition by Gerhard Richter in Vienna.
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The Principle of the Balance in Chinese Painting
The Essence of Chinese Painting Part 1. The principle of the balance in chinese painting.