I recently presented a few drafts and sketches, ideas that should flow into my next exhibition on the subject of Covid-19. They were largely abstract. I was very pleased with the feedback, as it helped me to reflect on the topic better. Thank you!
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I'm still working on my exhibition on the subject of Covid-19 and have now started a few works that are not so abstract. Symbolism, archetypal elements and often stronger emphasis on the painterly are again in the foreground.
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I consciously wanted to work on a boring landscape scene by the water. The first draft was too excited, too restless. In this second attempt I managed to capture a mood better. Actually, I wanted to convey more of the feeling that one has when an evening song or serenade is performed by the water in the early dusk.
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After I decided yesterday to throw away a piece of work I painted the basic idea of that work in a completely different version and I'm relatively satisfied with the result.
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When is a picture ready finished? I paint and paint and at some point a voice says: let go. It becomes more difficult when a painting does not "feel" finished.
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I took a break from my calligraphy-oriented work and made 2 studies for landscape paintings, which from my point of view have some good aspects.
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Ink painting with Heralds of Spring in Chinese style
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After my old love for "The Blue Rider" flared up again and after a long beautiful walk through the Vienna Woods, this picture was then taken.
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I was on Chinese TV 3 days ago showing me writing a couplet for Chinese New Year and talking a little about my life and years in China.
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A few years after the end of the Cultural Revolution, when I had the chance to live and study in China, I painted this picture: “Out of the dark”.
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