New Surrealism: Dreams in Ink

The Inner Landscape

Surrealism has always been the backbone of my work. But for me, it is not about melting clocks or staged eccentricities. It is about accessing a reality that lies deeper than the visible world. In my New Surrealism Concepts, I merge the psychological exploration of Western art with the spiritual spontaneity of the East. It is a dialogue between Sigmund Freud’s subconscious and the Daoist concept of the “Butterfly Dream”—where the boundaries between dreamer and reality dissolve.

From Collage to Flow

My journey began with classical collage and oil painting, inspired by the early French Surrealists. I cut up reality to rearrange it.

However, I realized that rigid techniques limit the flow of the mind. To truly capture the subconscious, I needed a medium that moves as fast as a thought. I found this in Chinese ink.

The Concept: Automatism & Qi

This New Surrealism Concept relies on Surrealist Automatism—the practice of drawing without a planned subject—but interprets it through the lens of Asian painting. I start with a gesture, a flow of ink (Qi). I do not force the image; I allow it to emerge from the chaos of stains and lines. This technique, reminiscent of Max Ernst’s frottage or André Masson’s sand paintings, becomes a meditation in ink. The result is Abstract Surrealism: landscapes that do not exist on any map, but feel strangely familiar to the soul.

Landscapes of the Mind

Where Sea and Sky Blur A recurring theme in my new surrealist concepts is the “Seascape of the Soul.” These works often depict horizons where water, sky, and memory merge. They are not paintings of actual places, but of emotional states—melancholy, vastness, and silence.

Zen & The Dream

In Daoism, reality is often viewed as a dream. My “Zen Moments” within this ink surrealism series explore this fragility. By reducing the surreal to minimal gestures, I try to capture the moment just before waking up.

Context Theory and Practice

This fusion of East and West is central to my artistic identity. If you are interested in how dream concepts influence art, I recommend reading my article on Dreamtellers.

The Ongoing Dream

Ink Surrealism is not a closed chapter for me, but an open question. Every blank sheet of rice paper is an invitation to explore the unknown. This portfolio documents a continuous journey—from the glued fragments of my early collages to the fluid, breathing landscapes of my current ink work.

I invite you to follow this exploration further. Discover new experiments in the Journal, or bring a piece of this inner world into your own home by visiting the Shop.

Comments

15 responses to “New Surrealism: Dreams in Ink”

  1. peter robinson avatar

    Some interesting stuff. Yes, I see the Max Ernst connection. Also a little Matta? I love Masson, BTW. Or I used to. Surrealism was very influential. Still is. Many different kinds too.

    1. Zettl Friedrich avatar

      Thank you! Yes! Actually André Masson was important for me at the beginning. Especially his ink drawings. Later I realized that he was playing around with Zen-Buddhist paintings – but less good. Matta I liked a lot too.

    2. Zettl Friedrich avatar

      BTW Thank you for mentioning Matta. Now that I checked his paintings again I realize how close to his concepts I am now.

      1. peter robinson avatar

        Yes, interesting too the relationship between Matta and Arshile Gorky. (In more ways than one!) And that Gorky’s work is commonly regarded as proto-abstract expressionist. And that brings us full circle since abstract expressionism is, as it were, abstract surrealism. I’m making that up. There is no such a category. But there should be!

      2. Zettl Friedrich avatar

        You are absolutely right and I am actually trying to find out how I see this. There is a post about that: https://zettl.blog/2022/01/12/new-works-in-abstract-surrealism/

      3. peter robinson avatar

        Some strong images. What medium are you using? Inks?

      4. Zettl Friedrich avatar

        Yes, inks. Chinese ink which I grind myself and Western inks – spending a fortune on those 😄

  2. loujen haxm'Yor avatar

    Awesome stuff!
    Art

    1. Zettl Friedrich avatar

      Thank you for your kind words! I am happy to hear you like my work.

  3. petrujviljoen avatar

    The link to your post about your Chinese friend and the traditional sumi-e artwork … I notice many comparisons to Chinese script in most of the works shown here. Is it intentional?

    1. Zettl Friedrich avatar

      Thank you! Yes! I have studies Chinese painting in Beijing and did traditional sumi-e for many years. My new works mostly seem to be Western but several aspects like composition and brush work follow Asian thoughts.

  4. Lance Dean avatar

    Stunning work here. I’ve always loved the surrealists but you’ve really made some bold stuff that is completely modern and feels fresh. Kudos.

    1. Zettl Friedrich avatar

      Thank you so much for your kind words! This means much to me!

  5. stockdalewolfe avatar

    Love the surrealist works I saw on your YouTube channel some of which appear here. Especially the mixture of photography? and inks? in the one called “In the Woods.” The combination is great. The inks seem a natural for surrealism under your hand.

  6. Zettl Fine Arts avatar

    Thank you once again! You are very kind! Yes, this technique helps me to do my surrealist works, especially adding a dream-like component.

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