Theme and Variations
I meant to show works from a new series today. They seem promising to me, though perhaps a little crude at first glance. Their appeal may emerge with a closer look. Or not; what do I know?
Instead, here are a few studies returning to a subject I have shown before: leaves, and the idea of Poetry from the Sky.
Just outside my house is a small meadow I am particularly fond of. The ginkgo tree there certainly has something to do with it. In autumn, sunlight flickers gold through its crown.
In late autumn the gold lies in the meadow – ginkgo leaves. And then death gently breathes on them.

And in winter, a few leaves in that meadow always manage to peep through the light snow cover. It’s like when you look through a curtain into the winter day – only the other way around.

There is something lyrical in these leaves and their changing appearance. That is what once led me to combine them with a Chinese poem in calligraphy.
I have shown variations on summer and autumn before. Here are further winter studies, using different leaf shapes:


While one anticipates the coming winter, the other peers to see if spring is finally approaching.
An Extra: A Dedication
From time to time, I may dedicate a painting or a post to someone, simply as a way of saying thank you. This one is for Edith Hornauer. We have not met. Why dedicate it to her?
I happened upon one of her poems and enjoyed it. I left a comment; she sent a warm reply. A familiar enough exchange, yet there was something striking about her warmth. I am not always comfortable receiving such kindness, but a friendly line in the morning can make the day. And that is a great deal.
Related articles: My Love for Old Leaves · Withered Leaves and Blossoms · How an Idea Takes Root and Persists
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