Botanical mixed-media artwork with dried fan-shaped leaves and pale Chinese writing on a blue ground, retaining natural veins and faded colour

Leaves & Blossoms: The Aesthetics of Decay

Dried Leaves and Blossoms in Mixed-Media Art

Leaves and blossoms become part of the image in these mixed-media works. Pressed plant material meets paint, writing and the open surface of the support. The leaf retains its own contour and veins, so that the artist works with a shape already marked by growth and drying. This attention to irregularity connects the series with wabi-sabi.

Botanical mixed-media artwork with dried fan-shaped leaves and pale Chinese writing on a blue painted ground, retaining natural veins and drying edges

1. Plant Material and Painted Surfaces

Dried plant material introduces a surface that differs from the surrounding paint. In the example shown, fan-shaped leaves sit within a blue field crossed by pale writing. Their veins and uneven edges remain visible, giving the painted surface a second, finer structure.

View Series: Mixed Media with Leaves

Dried leaves and pale writing on blue — mixed media that retain the plant’s own veins and edges.

2. Writing and Botanical Forms

Writing and botanical fragments share a narrow white field. Pale petals and yellow leaves gather around the dark inscription, leaving considerable space between them. In other works in the series, the shape of a leaf becomes the support for a short poem or character.

View Series: Calligraphy on Leaves

Botanical collage with pressed pale petals and yellow leaves around a Chinese inscription on a narrow white sheet, joining poetry and seasonal change

Pressed petals and leaves beside a Chinese inscription — a small botanical collage.

Small mixed-media landscape with isolated dried brown leaves over pale grey and dark horizontal painted passages, preserving their irregular contours

3. Bookmarks and Small Works

The smaller works bring plant material into bookmarks and related paper pieces. The example shown places isolated brown leaves over a restrained, landscape-like ground. Their individual contours interrupt the horizontal movement of the painted passages.

Dried leaves over a painted landscape — natural fragments carry their own irregular outlines.


Reading the Material

These works retain signs of drying, fading and damage as part of the composition. A vein can echo a drawn line; a torn edge can alter the shape of an open passage. The association with transience develops from those material details, without requiring the plant to stand for a single fixed idea.


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Available Artworks

Original works are available on FriedrichZettl.com and Saatchi Art